Marjory Collins described herself as a "rebel looking for a cause." She began her photojournalism career in New York City in the 1930s by working for such magazines as PM and U.S. Camera. In 1941, Collins joined Roy Stryker's team of photographers at the U.S. Office of War Information to document home front activities during World War II. She created remarkable visual stories of small town life, ethnic communities, and women war workers.